We were on our way back from our little adventure in
Southsea and Stu’s outburst went something like this “It’s 1999 and look how
far we’ve all come over the past two decades: Abba in the charts and Star Wars
on the fucking cinema!” It was a fair point. Nostalgia was a drug we all smoked
socially, but the turn of century was showing serious signs of
innovation-stifling addiction. It wasn’t just coming from the past either.
Despite a new generation of British wrestlers arriving on the scene, many were
using slogans and gestures stolen wholesale from their US heroes. I
cringed every time we worked on a show and some dickhead worker started
x-chopping. This wasn’t the New British Wrestling scene we wanted to promote.
We weren’t denying our inspiration, but we certainly weren’t shackled to it
either. Looking back I am sure Stu and I had certain fundamental differences in
the way we wanted to the wrestling scene to go, but I think a key thing we did
agree on was the desire to forge something unique.
The obscure writings of Jamie Clubb. "It rained last week because God was crying about how sceptical you are, Jamie" - Sarah Chipperfield
Showing posts with label Performing Arts. Show all posts
Showing posts with label Performing Arts. Show all posts
Friday, 2 May 2014
Saturday, 11 April 2009
Cor-Chat - The Fighting Art of the Circus

The art was practised covertly and training was often hidden in the various acts performed in the circus. Certain techniques hint towards these acts. For example, a low sweeping attack is named the clown’s shoe. Training in cor-chat traditionally takes place on a sawdust covered ground, inside a ringed area and in a training place known as the Big Top. New students from the outside are known as jossers and are rarely taught unless they pass the cor-chat initiation trials. Much of these initiations include a series of gruelling exercises known as “building up” and “pulling down”.
When performing a technique, the attacker is often given the term “anti”. Cor-chat is a brutal system that includes a devastating array of techniques designed to confuse and destroy an antagonist. Methods are both unarmed and armed. Armed methods make extensive use of incidental weaponry, including coupling pins and there is a seemingly inexhaustible list of methods for using bailing string. Like all good martial arts systems, cor-chat teaches evasion techniques that come under the title of “scarpering”. Unlike many traditional martial arts there is no set custom or greeting term before starting a training session, however, after training students ritually use the term “nanti palari”.
Today the art has been made available to the general public for the first time. Schools are opening up all over the country and worldwide. These include intensive instructor programmes and long-distance learning plans. Training in cor-chat is a positively enriching experience. You will find this when you begin to teach. In line with circus lore, the cor-chat instructor works for a mysterious commodity known as dinari. It is the objective of any life long cor-chat instructor to accumulate as much dinari as possible. Lack of dinari is often accredited to the lows faced by many circus people.
Cor-chat is a system trained by many different cultures against a myriad of threats. It is a time-tested martial art with a history that goes back three centuries and practiced by many top circus fighters. Now you can also learn this devastating art.
Don't forget to check out Jamie Clubb's main blog www.jamieclubb.blogspot.com
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