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Tuesday, 21 October 2014

Shelley, Storms and Frankenstein

Mary Wollstonecraft Shelley and Percy Bysshe S...
Mary Wollstonecraft Shelley and Percy Bysshe Shelley. Stipple engraving. (Photo credit: Wikipedia)
"[He] then proceeded, with much eagerness and enthusiasm, to show me the various instruments, especially the electrical apparatus; turning round the handle very rapidly, so that the fierce, crackling sparks flew forth; and presently standing upon the stool with glass feet, he begged me to work the machine until he was filled with the fluid, so that his long, wild locks bristled and stood on end. Afterwards he charged a powerful battery of several large jars; laboring with vast energy, and discoursing with increasing vehemence of the marvellous powers of electricity, of thunder and lightning; describing an electrical kite that he had made at home, and projecting another and an enormous one, or rather a combination of many kites, that would draw down from the sky an immense volume of electricity, the whole ammunition of a mighty thunderstorm; and this being directed to some point would there produce the most stupendous results."

If you don't know already, my guess is that if I told you the above description was taken from another novel based on Mary Shelley's "Frankenstein" you would not challenge me. Besides his wild eyes, Mary Shelley offers us no physical descriptions of Victor Frankenstein in her novel. However, the above text comes from Shelley's biographer, Thomas Jefferson Hogg when he describes the famous poet during his time at Oxford University. It's an interesting image. Like Victor Frankenstein, Shelley combined an avid interest in the metaphysical and the occult with the ways of modern science. His spirit and manic enthusiasm paint the very picture many actors would take on board when they portrayed this character. 

New Book by Luna Ballantyne



Luna Ballantyne (pseudonym of fantasy novelist, Ingrid Hall) has released her new erotic novel, "Freedom", which book one of her "Sensual Liaison Series". The story is a time-spanning fantasy centred on the character of Max, the Highwayman, a 400 year old immortal gigolo, cursed by the one woman he loved, who was subsequently executed for witchcraft. The first novel focuses on Max's involvement with a recent divorcee, keen to explore her new found freedom and her natural dominatrix desires.

Thursday, 16 October 2014

Champion Charlie Brown!


Charlie Brown, created by Charles Schultz, is the USA's most profound and simple antidote to the culture of competitiveness. Charlie Brown's genesis was as a single strip cartoon for Sunday newspapers. His creator continued producing these witty, simplistic yet thoughtful stories told completely from the point of view of children up until his death. Along the way these iconic little stories inspired numerous TV specials, series and feature films. This was the first feature film outing for him and the rest of the "Peanuts", and it stands up today, in a time of 3D and adult animation, as a wonderful comment on "every kid in every town".

The film focuses completely on the crux of Charlie Brown: his perpetual failing. From the very beginning Charlie Brown fails at everything whether it is being able to spot impressive images in clouds, baseball games, flying kites, floating boats in a bath or even playing noughts and crosses in the dirt. He can't even win an argument to have the dandelions removed from his baseball pitcher's mound. Matters are not made better when his best friend sister's psychiatric service decides the best way to treat him for his lack of self esteem is to project all his faults onto a screen via a slideshow! His best friend, Linus, decides that the only way for Charlie Brown to gain confidence is to win at something. Against the jeers of his fellow schoolmates he decides to enter the class spelling competition. However, success might offer more unforeseen problems that make his failures seem small by comparison...


Tuesday, 14 October 2014

All Change!

Professor Stephen R. Covey
Professor Stephen R. Covey (Photo credit: Wikipedia)
"People can't live with change if there's not a changeless core inside them. The key to the ability to change is a changeless sense of who you are, what you are about and what you value."


In recent years I have found that I have come almost diametrically in opposition to the views I once held on a lot of self-help.  It is not good enough to simply apply positive thinking and sometimes it can be outright dangerous to do so. A lot of self-help is over-marketed snake oil mysticism tangled up with a type of smiley faced bullying and it has seeped into many aspects of our culture. Having said that, I am not one to completely dismiss everything that has been said by all these self-appointed gurus. When I first started reading into the gaping flaws of psychoanalysis it did not lead me to consign my copy of Viktor Frankl's "Man's Search for Meaning" to the bonfire. Rather I looked more into his personal philosophy and certain observations on human nature that I feel do stand up to scrutiny. I was less drawn into his logotherapy, but that is a topic for another day. Likewise, I found myself looking back over the work of Stephen R. Covey, a giant in the motivational field who is often listed alongside the likes of Tony Robbins (a regular target of all self-help critics), and I have to say a lot of what Covey has to say is still pretty sound stuff.

Monday, 13 October 2014

Showing up


“If today was the day you were finally going to win, did you show up?”
-          Daniel Waldschmidt

The above quote was randomly selected on my email provider. It is an interesting mutation of a statement attributed to the comedian/actor/director Woody Allen in 1977 by his partner Susan Braudy, “80 per cent of life is turning up”. In 1989 Allen discussed this attribution, correcting to be something more specific: 

Tuesday, 7 October 2014

Restrained Twist on the Cuckoo Thriller?

I guess I have been interested in the concept of cuckoo stories since I first studied Emily Bronte's only novel, "Wuthering Heights", for my English Literature A level many years ago. The novel's driven Byronic hero, Heathcliffe, was uncharacteristically attractive compared to many cuckoos in fiction. Typically they are malignant spirits that seek to usurp the order of a loving family and often use tactics such as deception, intrigue and accumulating violence. This eventually concludes with a siege-like situation with our sympathetic heroes fending off the antagonistic cuckoo in a life and death struggle. In these respects, "Chloe", the subject of the below review differs quite a lot from the norm...

Tuesday, 30 September 2014

Vigilante Thriller with Pedigree? - Review of the Brave One

Cover of "The Brave One [Blu-ray]"
Cover of The Brave One [Blu-ray]
 Plot:

Erica Bain (Jodie Foster) is an outspoken radio host. Her expressive opinions on her late night show have recently been focusing on the decay of her neighbourhood. One night she and her partner are victims of a vicious and unprovoked assault. Both are serious injured with only Erica surviving the attack. Struck by fear, she illegally purchases a gun. Finding herself in another violent incident she uses it and begins a life as a vigilante. Meanwhile, Detective Sean Mercer (Terence Howard) is appalled by the corruption he sees around him...

Review:

I always find it interesting to see what a very high calibre and respected artist can do with a simple and sensationalist genre. The last 15 years or so have seen an increasing number of writers, directors and actors decide to see what they can do with a populist medium. I would like to think that they were all inspired to do this in the same artistic vein that Alfred Hitchcock, considered by many to be history’s greatest director, decided to tackle a horror with “Psycho”. However, I cannot see Wilhelm Defoe and