The Many Nightmares of Elm Street

Image via WikipediaWith Halloween approaching, what time would be better than to have a look at one of the most popular horror movie franchises of all time. I was way under the legal age when I first saw one of the worst installments of the series, "A Nightmare on Elm Street Part 2: Freddy's Revenge", and was mildly disappointed. The whole build-up had been too much. School friends had told me it was the scariest horror they had ever seen and to this day I see reviews written saying pretty much the same thing. Of course, they weren't talking about this particular part - although some had seen the sequel and had just got carried away by the impact of the original. I borrowed my VHS copy off one of those adults who let's kids borrow that sort of stuff. In fact, I saw most of my first B movies off this guy. The whole taboo and decadence of the experience was enhanced by the stink of Raffles cigarettes that always seemed to cling the cases.

Bad History: A Review

It’s quite disappointing to see how much flack this excellent little book has received. I was under no illusion that the book I was about to read was going to be a light read. The book’s title does imply that it is to be considered to be in the same category as Ben Goldacre’s “Bad Science” and Phil Plait’s “Bad Astronomy”. Despite both of these books being written for a lay audience they were not shot in details or text. Emma Marriot’s slim collection of short essays might be with Goldacre and Plait in sentiment, but the work isn’t intended to educate the reader in good historical research. However, it does provide examples of what good research achieves and how good historians view the past. Unfortunately I think many history buffs were looking forward to a heavily cited and in depth analysis of historical myths and a debunking of pseudohistory; not a book strictly for academics, but nevertheless one with a scholarly appeal. Recent years have seen some good academics, like Richard J Evans take on the postmodern anti-historical wave and others like David Aronovitch, Kathryn S. Olmsted and even sceptical scientist Michael Shermer produce sterling investigations that both debunk and seek to understand the nature of conspiracy theory.

Quasimodo meets Dr Doolittle

The Elephant Man (Image via RottenTomatoes.com)"The Elephant Man" was probably the first film that had me reaching for tissues. That was when I was an impressionable child and bought into the simple fairy tale melodrama being told me. Today only my own sense of dignity stops me from shedding another tear of indignation, but I will get to that later. Lynch's film is a perfect symphony of pathetic emotion. The film-maker's pedigree has generally been built on art house projects, which jerk unpredictably between surreal cleverness ("Lost Highway") and pretentious twaddle ("Twin Peaks: Fire Walk with Me"). Sometimes his work is under-rated - "Dune" may have been overblown, but did really deserve to fall like it did? - and sometimes it is over-rated - "Eraserhead" may be nightmarishly atmospheric for a short, but it's a meandering non-event for a full-length horror. Faith in Lynch's own grip on reality was thrown into serious doubt when he praised the egregiously bad 9/11 conspiracy theory documentary "Loose Change". It also seems to tip the argument away from Lynch being a bona fide intellectual director/writer to being more of a superficial sophisticate. "The Elephant Man" demonstrates another feature of the latter argument - middle class snobbery.

The Lie That Will Not Die - a review of "The Protocols of Zion" 2005 Documentary

Image via Wikipedia
"The Protocols of Zion" is director Marc Levin's documentary on the cultural impact of "The Protocols of The Elders of Zion", a debunked piece of anti-Semitic Russian literature that details the Jewish global conspiracy. Levin was inspired to create the film when an Egyptian taxi driver claimed that no Jews came to work in the Twin Towers on 9/11. The driver told Levin that this was all part of the Jewish global conspiracy as revealed in "The Protocols of the Elders of Zion". The documentary follows the continued success of a forgery despite it being exposed publically in the US press almost a century ago. The documentary looks at its historic influence over such famous anti-Semites as Henry Ford and then at the legacy of institutionalized criticism towards the Jews as exhibited through such people as Mel Gibson and his even harder-line Catholic father. The documentary covers some of the controversy surrounding the release of "The Passion of the Christ" Levin visits his own Jewish roots, discusses the Jewish roots of Hollywood and goes through various Jewish reactions to anti-Semitism from those feel it is better not to draw attention to the problem to far-right supporters of Israel. Likewise, Levin's other interviewees range from moderate critics of Israel to outright believers in a Jewish conspiracy...

The FIRST House on the Left - Review of "The Virgin Spring"

Plot:

A young Christian girl, Karin (Birgitta Pettersson) embarks on a journey to take the candles to the local church - a task only befitting a virgin of pure spirit. She is accompanied for part of the journey by her pregnant foster sister, Ingeri (Gunnel Lindblom) who secretly worships the Norse god Odin and has jealously wished a curse on Karin. On the journey the two part company and Ingari encounters a one-eyed man who causes her to flee in terror. Meanwhile Karin encounters two shepherds and a boy. What follows is a cycle of vicious violence and retribution that will leave Karin's distraught father (played by Max Von Sydow) praying for redemption...

Review:

I feel I must apologise first for any spoilers I might inadvertently blurt out in my review/examination of this classic picture. However, in my humble defence this is a film based on a traditional moral tale and revealing the beginning middle and end is about as harmful as telling you the full plot of Cinderella before you see Disney's interpretation. This is really a film about how the story is portrayed, interpreted and executed than the actual plot.

Top Ten Best Movie Villains

Image via Wikipedia

This article was written out of total unashamed (or perhaps even shameless) self-indulgence. It is shamelessly low brow geeky and will probably never find its way into any self-respecting publication. However, when I first started writing paid online reviews this topic cropped up and I just couldn’t resist the urge to put my thoughts down. Villains are fascinating characters in fiction whether it is on the big screen, as the ones below are, or in literature. Without them we don’t get the contrast with the heroes. However, there is something much than that. The villain often speaks the words we dare not speak or presents us the line we dare not tread…

The line between candour and sensationalism: a review of "Tiger, Tiger: A Memoir"

I have mixed feelings about the proliferation of tragic biographies. This newish sub-genre is a bit like the reverse of a true crime biography. Like Steve Salerno’s definition of self-help styles, empowerment and victimization, the true crime biography caters to a perverse idea about empowerment whilst the tragic