Vote and Rate Jamie Clubb's articles and reviews

Showing posts with label Ed Gein. Show all posts
Showing posts with label Ed Gein. Show all posts

Tuesday, 17 June 2014

Late Psycho

Psycho
Psycho (Photo credit: -Alina-)
This is a review a wrote a while back and I thought it would be appropriate to share today, one day after the 54th anniversary of the premier of Alfred Hitchcock's "Psycho". Yes, I am late, but couldn't resist the opportunity. 

"Psycho" must go down as one of the most important films of all time. It is memorable for many reasons, of big cinematic importance and hugely influential. Firstly, it is the most successful film Alfred Hitchcock made. Hitchcock is often justifiably regarded to be the greatest director of all time as well as the "master of suspense". "Psycho" is not only a great example of Hitchcock's artistic ability at his peak, but also a perfect demonstration of the art of suspense. It was also a great demonstration of his working relationship with his wife, the great editor, Alma Hitchcock. The use of music and voyeurism in film was never bettered by "Psycho", and many movies from art-house to the slasher horror have this film to thank. "Jaws", which also went onto becoming a massively influential film, uses a lot of what Hitchcock established by using the killer's point of view and allowing a tremendously atmospheric yet incredibly simplistic score to move the whole movie along. It took several decades before movies like "From Dusk Til Dawn" and the works of George R.R. Martin would understand the power of being ruthless with lead characters as well as showing amazing restraint with genre material. "Psycho" broke all the rules and established something brave yet artistically brilliant.    


Wednesday, 15 January 2014

The "Hitchcock" Institution - A review of "Hitchcock"


There are many ways to approach a biopic and "Hitchcock" goes for the easiest one. It's a choice that results in success for the most part. By opting for a pivotal moment in the main protagonist's career, writer John J. McLaughlin was not forced to wade through Alfred Hitchcock's imposing career, cherry picking what would make for a good dramatic narrative. Life, not being a piece of dramatic prose, is rarely a linear path. It takes a bold director and writer to tackle the full biopic approach and the result is usually what seems to be little more than a dramatized resume that fails to deliver an interesting central theme.