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Showing posts with label England. Show all posts
Showing posts with label England. Show all posts

Wednesday, 10 September 2014

Thomas Cromwell Revised

Portrait of Thomas Cromwell. New York, Frick C...
Portrait of Thomas Cromwell. New York, Frick Collection. Oak panel, 76 x 61 cm. (Photo credit: Wikipedia)
"The ambitious have no friends" - Brian Taggert and Faustus Buck

Thomas Cromwell seems modelled for the role of the devious and manipulative power behind the throne. He is depicted as a ruthless and power-hungry man of ambition who destroyed several notable figures on his ascent to the position as Henry VIII's chief minister. Virtually every portrait I have seen of the man is unflattering. He scowls from his seated position with cold eyes over a long and sharp nose. Danny Webb's depiction of the character in the TV series, "Henry VIII",  takes this image and runs with it in perfect style. He is seen as a scheming and overly-ambitious man. Yet his latest biography challenges this view, presenting a man who was loyal to his family and loved by the common people. He was the most hated man in England, but this may have been as much to do with the influence of his aristocratic enemies, led by Duke of Norfolk as it was to do with his ruthlessness.

Wednesday, 20 April 2011

Seven days of change and consequences - a book review of "The Godless Boys" by Naomi Wood

Set in an alternative history where England is ruled by the Church and the secularist community has been banished to a solitary island, Naomi Wood’s debut novel,“The Godless Boys”, is a story about a dramatic week on the island. Nathaniel, the son of an original member of the secular movement, leads a gang of teenage boys, the Malades, who are determined to protect the island from any religious influence. This means intimidating potential “gots” and prowling the streets at night. Eliza Michalka lives a sorry existence on the island - a part-time prostitute and a part-time undertaker who drops corpses into the surrounding ocean - she pines after her lost love, the aloof fishmonger Arthur Stansky. However, this week all their lives will be changed when Sarah, daughter of 1976 church-burner, Laura Wicks, stows away to seek out her mother on The Island…
We are living in a time that has seen the rise of fundamental religiosity and New Atheism. Therefore it isn’t difficult to see where the author’s inspiration came from. Why she decided to set it in 1986 is another matter altogether. There is little in the way of obvious parallels with the real 1986, but I guess it helps to keep matters simple without the presence of the internet and the normalcy of mobile phones. The whole book is markedly minimalistic without being pretentious. This is perhaps reflective of the two radically opposing philosophies that form the backdrop of the story.

Wood does not explore the details of either the Christian dogma that now rules England or the strict secularist movement of The Island. Two vital dates are given for when secularists, usually involved in anti-religious activity such as church burning, were deported – 1951 and 1976 – and we are given an overview of the violent struggles between the state and rebels, but otherwise the history of the whole conflict is kept down to a minimum. Likewise aside from Christian imagery and the hatred certain characters, such as Nathaniel’s Malades, have towards religion, there are little intricate details regarding what each side actually believes. Despite one newspaper critic describing The Malades as Richard Dawkins in bovver boots, there is nothing whatsoever mentioned regarding a scientific argument against the Christians. The Secular Movement’s problems with the church are never lain out or described. Therefore, this could be a story about any society divided into polarized factions.
This leaves the story to be entirely character-driven and concerned with the relationships its players experience over seven days. One man, an ardent first generation secularist, will re-evaluate his relationship with God. Nathaniel will be made to reconsider his devotion to The Malades. Arthur and Eliza will have to look at the personal defensive walls they have created. However, the driving force for change in all of this – the story’s catalyst – is Sarah. She enters having already received a revelation after 10 years not knowing her mother had been arrested for being involving a Secular Movement terrorist attack. Although the story follows her fact-seeking mission, she seems to be the only character that isn’t experiencing personal changes in her attitude, having already gone through a dramatic personal crisis.

Despite some of its adult content, “The Godless Boys” reminds me of the typical sort of material read for GCSE English. This is not a slight on its simplicity, but I think there might be a lot teenagers can relate to in the text. “The Godless Boys” is also a story about consequences and the way different individuals react to dramatic changes. Nathaniel is a part of his tragic father’s legacy, but little does he realize he is leaving a legacy of his own in The Malades. His personal philosophy and beliefs have their own consequences. Wood succeeds in getting this across, providing certain moral twists reminiscent of David McKenna’s “American History X” that provokes a lot of thought.

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Saturday, 21 August 2010

Henry V, an English icon revisited (the icon series)

henry v of england Painting is in "The Ro...Image via Wikipedia
Henry V (16 September 1386* – 31 August 1422) is an English icon embedded in our cultural identity. This is largely due to William Shakespeare’s immortal play “The Chronicle History of Henry V” and its two prequels concerning his father’s reign. The medieval king from the house of Lancaster has been painted in literature as the archetypical English hero. He begins as the roguish tearaway Prince Hal in his youth, son of the usurper Henry of Bollingbroke now known as Henry IV, but becomes a pious and gallant warrior who cements his reputation when he defeats the French on their home ground at the Battle of Agincourt. This symbolic and yet short-lived battle is where the mythology of Henry V begins. Like many icons, Henry V’s legend began during his lifetime. He was purposefully modelled by his propaganda in a way that was so convincing that it has inspired many people up to the present day. However, as primary source evidence indicates, Henry V was also responsible for several atrocities during his lifetime and, in particular, during 1415 when he fought his most famous battle.