Ripper Retrospective - Revew of the classic "Jack the Ripper: Summing up and Verdict"

Ripper Bridge (Photo credit: STINFLIN Pascal)

1988 was a hell of a year for Jack the Ripper enthusiasts. Being the centenary of London’s “Autumn of Terror”, few producers, publishers, historians, writers and professional criminologists missed a trick. From movies about a copycat serial killer called “Jack’s Back” to a wide commissioning of any work that was tied into the Whitechapel Murders, the year was full of old and new theories on the identity of the killer and every self-respecting bookshop made sure their respective section was stocked up. I was only 12 at the time and fell in love with the shamelessly melodramatic and lavish ITV miniseries, “Jack the Ripper”, which for all its thrill and wonderful cast and production values did not yield a convincing theory on the case. In his amazingly explorative “From Hell”, comic-book writer, Alan Moore, touched on the whole the institution that now surrounds Jack the Ripper and pretty much nailed how it has become virtually impossible to unmask the fiend of Victorian London. He echoed in the century of the sadistic serial killer and, as sharp as the weapon he wielded, tore open the British Victorian veneer of pomp, prosperity and conservatism. In the tradition of Arthur Conan Doyle – was consulted at the time of the murders – and the institution that Agatha Christie would start, the Ripper also provided us with a real-life whodunit. Amidst the flow of reprinted books on silly theories, I was lucky enough to obtain a copy of “Jack the Ripper: Summing up and Verdict”, which had been commissioned for release in 1988. 

Ensnared Melodies

English: Original oil painting by Pappi, 2008. (Photo credit: Wikipedia)

Introduction

As with poetry, aspects of a romantic relationship are regular topics in songs. From longing to heartbreak to the joyfully unique feelings a person experiences when they are with a loving companion, popular music has it all covered. Relationships are very complicated self-imposed institutions and no one knows how they will turn out. Worse still, the majority of the stories we have told each other throughout time present too much of the “happily ever after” ideal that never happens. It little prepares us for the many twists and turns that lie ahead both in our partners and in ourselves. Sometimes those twists lead to a bizarre perversion of what was a loving romance. The following songs I have selected reflect on this perversion. Words like “trap” and “abuse” are used to describe something that other songwriters, more often than not, beautify and society, driven by our instinctive impulse to breed, venerates as our ultimate purpose. “Love” and “heart” are in there too, but they take the form of vulnerabilities that are being used as instruments of torture.   

"Personalities Frozen in Amber" - A Review of the Jayne Mansfield Story

Cover of The Jayne Mansfield Story

Icons fascinate me. There is little getting away from this fact. I grew up in showbusiness and I have experienced it in most of its forms. However, I think it is probably my very early interest in Greek and Norse mythology coupled with comic books that led me to my interest in the cult of personality. In both instances we have fictional figures that have become representative of what we love and fear, blown up to magical proportions. The way the Romans would also seek to deify their recently deceased emperors presents a very literal way of how humans have always needed immortal heroes. I have little time for current celebrity gossip and I do not elevate those society chooses to celebrate above anyone else. What interests me is the way a certain image is formed and how they go beyond what they ever were as a mortal figure. The icon is its own entity, merely being played by a flesh and blood human being for a relatively short time.