Restrained Twist on the Cuckoo Thriller?

I guess I have been interested in the concept of cuckoo stories since I first studied Emily Bronte's only novel, "Wuthering Heights", for my English Literature A level many years ago. The novel's driven Byronic hero, Heathcliffe, was uncharacteristically attractive compared to many cuckoos in fiction. Typically they are malignant spirits that seek to usurp the order of a loving family and often use tactics such as deception, intrigue and accumulating violence. This eventually concludes with a siege-like situation with our sympathetic heroes fending off the antagonistic cuckoo in a life and death struggle. In these respects, "Chloe", the subject of the below review differs quite a lot from the norm...

Vigilante Thriller with Pedigree? - Review of the Brave One

Cover of The Brave One [Blu-ray]

 Plot:

Erica Bain (Jodie Foster) is an outspoken radio host. Her expressive opinions on her late night show have recently been focusing on the decay of her neighbourhood. One night she and her partner are victims of a vicious and unprovoked assault. Both are serious injured with only Erica surviving the attack. Struck by fear, she illegally purchases a gun. Finding herself in another violent incident she uses it and begins a life as a vigilante. Meanwhile, Detective Sean Mercer (Terence Howard) is appalled by the corruption he sees around him...

Review:

I always find it interesting to see what a very high calibre and respected artist can do with a simple and sensationalist genre. The last 15 years or so have seen an increasing number of writers, directors and actors decide to see what they can do with a populist medium. I would like to think that they were all inspired to do this in the same artistic vein that Alfred Hitchcock, considered by many to be history’s greatest director, decided to tackle a horror with “Psycho”. However, I cannot see Wilhelm Defoe and

Behold... Vulvatron!

I was delighted to hear that the Thrash Metal band, Gwar, announced Vulvatron (played by Kim Dylla) as their new front-woman. Never a band to take themselves too seriously, Gwar took horror rock theatrics, popularized by the great Alice Cooper, to a new and different mutation. They were ahead of Death Metal, Black Metal and Nu Metal, effectively sending up the genre before it had had a chance to take itself seriously. They were never really a brand of Thrash Metal I especially liked from a musical perspective, but I loved their imaginative live sets and the sheer audacity of their ideas. The 1980s were a time when the mainstream ignored the beautifully ornery reaction to 1970s rock stage shows presented by punk rock, quickly developing into corporate rock and glam metal. Gwar rode these over the top theatrics into a crazy mythology of science fiction, horror and fantasy, attacking media censorship and revelling in the fun. They were never a band's band in the respect that their line-up has been a consistently revolving array of artists, including those who work diligently on the bands costumes, staging and SFX. However, I like the fact that despite delivering interviews in character they refreshingly admit they are playing parts. This makes a change from many rock stars (including some of my favourites) who think they are method actors and get absorbed into their manufactured persona. 

Thomas Cromwell Revised

Portrait of Thomas Cromwell. New York, Frick Collection. Oak panel, 76 x 61 cm. (Photo credit: Wikipedia)

"The ambitious have no friends" - Brian Taggert and Faustus Buck

Thomas Cromwell seems modelled for the role of the devious and manipulative power behind the throne. He is depicted as a ruthless and power-hungry man of ambition who destroyed several notable figures on his ascent to the position as Henry VIII's chief minister. Virtually every portrait I have seen of the man is unflattering. He scowls from his seated position with cold eyes over a long and sharp nose. Danny Webb's depiction of the character in the TV series, "Henry VIII",  takes this image and runs with it in perfect style. He is seen as a scheming and overly-ambitious man. Yet his latest biography challenges this view, presenting a man who was loyal to his family and loved by the common people. He was the most hated man in England, but this may have been as much to do with the influence of his aristocratic enemies, led by Duke of Norfolk as it was to do with his ruthlessness.

The Lines Before the Score: A Reflection on "Jaws" the novel

Jaws (novel) (Photo credit: Wikipedia)

I recently picked up my copy of “Jaws” and I have to admit that the opening passage is very hard to beat. Consider these very famous lines: 

“The great fish moved silently through the night water, propelled by short sweeps of its crescent tail. The mouth was open just enough to permit a rush of water over the gills. There was little other motion: an occasional correction of the apparently aimless course by the slight raising or lowering of a pectoral fin -- as a bird changes direction by dipping one wing and lifting the other. The eyes were sightless in the black, and the other senses transmitted nothing extraordinary to the small, primitive brain. The fish might have been asleep, save for the movement dictated by countless millions of years of instinctive continuity: lacking the flotation bladder common to other fish and the fluttering flaps to push oxygen-bearing water through its gills, it survived only by moving.”

Sheridan La Fanu Honoured on Google

“But dreams come through stone walls, light up dark rooms, or darken light ones, and their persons make their exits and their entrances as they please, and laugh at locksmiths.”

― Joseph Sheridan Le Fanu, “Carmilla”

I am delighted to see that Google has decided to celebrate the 200^th birthday of the Irish author, Sheridan Le Fanu, today. Le Fanu was a prolific writer who is best remembered for his mystery and horror fiction. Unlike other several other Gothic writers of the 19^th century, such as Mary Shelley and Bram Stoker, Le Fanu was totally dedicated to a career in writing. He studied law at Trinity College, Dublin and was called to the bar in 1839, but already had his mind on journalism. A year previously his first ghost story, “The Ghost and the Bone Setter” signposted where Le Fanu’s literary influence would lie. From 1840 he would become the owner of several newspapers and would go on to write many books and short stories. 

Folklore as a Tool

I am currently reading "Dracula: Prince of Many Faces - His Life and Times" by Radu Florescu and Raymond McNally and I came across this wonderful passage:

"Although folklore has to be used with caution by the historian, it can be a legitimate tool. There are perhaps more reason to trust collective folk wisdom, because people can be more discriminating on what they chose to remember, than the memoirs of statesmen, diplomats, and kings, who often to chose to deceive posterity to enhance their reputation."