Many a Prophetic Word Spoken in Jest

Plot:
Michael Berg (Ralph Fiennes) is a dethatched man. Divorced but the father of a daughter he doesn't see enough of, he reflects upon his past. At 15 years old (David Kross) he was struck down by scarlet fever, but rescued by a 36 year old tram conductor called Hanna (Kate Winslet). After a lengthy recovery period he tracks down his rescuer and they begin a secret affair. Hanna is a very mysterious woman who, seeing that Michael is studying classic literature, asks that he read to her before they have sex. Despite Hanna's cold manner and Michael's childlike inexperience, the relationship begins to further develop. Then one day, upon hearing she is to be promoted, Hanna abruptly leaves her apartment without saying a word to Michael. Years later as an undergraduate and whilst attending a trial as part of a special seminar held by a concentration camp survivor, Michael attends a trial for Auschwitz guards who presided over several atrocities at the camp. One particular atrocity involved the deaths of 300 prisoners who were locked into a burning church by the guards. One guard is singled out as the ringleader of this particular crime. Michael is shocked to see that this guard is none other than his mysterious Hanna...

"Always the Sun" - For the Summer of 1993

A large open field that needed cutting, regular cups of sweet tea, a scythe, a pair of shears, an old radio cassette player and the best company in the world provided the backdrop for my favourite song. I was born in July during Britain’s hottest summer since records began and, for that reason, I was brought up feeling a sense of belonging to the days when the sun shone brightest. I find it easy to see why the sun has constantly evoked a sense of spiritual awe in our species. Hundreds of thousands of years on and science, if anything, has humbled humans even more to the sun. We discovered that, contrary to what we had thought for so long, our planet revolves around the sun, making it the centre of a solar system where we live on one of several planets. Furthermore, it is the most significant source of our world’s energy, making it an all-powerful life-giver contained in a single sphere of omnipotence. Within our own intuitive sense of being the sun seems to symbolize a reliable constant. There is sureness in the sun rise and the sun set, and this is part of the idea taken by one of my all-time favourite songs, “Always the Sun” by The Stranglers.

King Arthur II - Edward I Re-Examined

Edward I does not enjoy a good reputation in the minds of many historians and most of those who enjoyed the movie, “Braveheart”. It would appear that, unlike many other English kings, he doesn’t enjoy the benefit of a contextual view of his life and times. This might be encouraged by the patriotic and hugely selective view that has made William Wallace become a virtual saint in Scotland. Without putting too blunt an end on the matter, Edward was a winner in imperialistic times and those he beat were his next door neighbours, the Scots, the Welsh and the French. His victory meant oppression and subjection of his neighbours delivered in a way that befitted a conquering king of his time. That does not rest well with the sympathies of a modern English culture that champions temperance, freedom and peaceful negotiation. However, for his time, Edward was considered a great king by his English subjects and yet it was a reputation hard-earned.  

Vlad the Impregnable

A Review of "Dracula: Prince of Many Faces"

Vlad III, Prince of Walachia, competes with many other historical monarchs in his position as an icon. However, his fame has more to do with a late Victorian supernatural monster that was given his patronym some 421 years after his death than anything he did during his lifetime. That isn't to say the life of Vlad the Impaler had not achieved notoriety prior to Stoker selecting his title, "Dracula", meaning Son of the Dragon, but it is a fair statement to say interest in this figure has increases every time a high profile adaptation of the 1897 novel is released.

I doubt the writers of "Dracula: Prince of Many Faces", Radu R. Florescu and Raymond T. McNally, would have been surprised to see that interest in Vlad would only increase after the publication of their fourth book on the subject in 1989. Their previous works included two on the historical Dracula and one on the fictional Bram Stoker creation. This book, although mainly focused on the life and times of Vlad III, bookends the biography comparing the two Draculas. Therefore, one might assume that the justification for the book is to comprehensively unite their studies and to provide a broad overview of the historical figure of Dracula. In this sense, it delivers what is says in the title and a quarter of a century on from this publication there doesn't seem to be anything in popular historical studies to touch this in terms of content.

Joke Pirates and Bond

Whenever a new James Bond film is announced or advertised I tend to fall back on old jokes. The jokes are often aged by me because I repeat them a lot. It's a sign of approaching old age annoyance on my behalf. I make no excuse for the deliberate piece of self-indulgence any more than David Lynch did for making "Firewalk with Me". I have some sympathy for Edmund Blackadder of "Blackadder the Third" when he outlined his desires for life:

“I want to be young and wild, and then I want to be middle-aged and rich, and then I want to be old and annoy people by pretending that I'm deaf. ''

I know how to ruin a joke as good as anyone, but there are definite limits to my evil. I recall once being told by a member of the Millennial Generation that it was important for me to write "lol" or put in smiling or winking face formed out of punctuation marks when I make a controversial statement in case I upset the reader unless I meant to cause offense. When I looked puzzled as to why someone might get the wrong impression from a flippant, facetious or playful remark, the annoyed member of the Millenial Generation told me, as if my social education had stopped in the sand-pit, that "people cannot read sarcasm!" Maybe this is the reason why there are wars. If only our great writers, playwrights, orators and cartoonists had known to place a "lol" or a smiley at the end of one their humourous sentences we could have avoided a lot of bloodshed.

Digging This One Up in Time

Please excuse the terrible punning in the title, but it was all that sprung to mind. The "re-discovery" of Josephine Tey's book in recent times has been met with mixed feelings on my behalf. I say mixed because although the work is very original and interesting, it seemed to disappear for a while. Now, with the huge resurgence of interest in Richard III due to the exhumation of his body under a Leicester carpark and his reburial at Leicester Cathedral with all the pomp he wasn't granted 500 years ago, Tey's book is now popular once again. It's a case of geeky "So now you want to read the book" from me. It defies the conventional and cynical belief that historical retrospective detective novels need to be balanced with physical adventure, best exemplified by the truly awful "Da Vinci Code". However, at the risk of spoiling the novel's conclusion I am not in favour of its conclusion and firmly in the corner of historian, Alison Weir (not to mention Winston Churchill and my old English teacher!) I recommend Weir's excellent primary source examination of the case of the murder of the children, Edward V and Richard Duke of York, which I bought as "The Princes in the Tower" and has since been republished as "Richard III and the Princes in the Tower". Nevertheless, it still stands as a great work of fiction and an exercise in historical research albeit with a faulty premise and foregone conclusion derived from the hero's first impressions taken from a portrait.

Beowulf and Bollocks

Beowulf is the best known example of Old English literature. We are told that, much like the works of Shakespeare, the piece stood out against other works of the same era because the creativity in its language. Linguistics and language in general are not my strong points, so I won’t attempt a pretentious analysis, but an excellent edition of the Radio 4 programme “In Our Time” explained that there were numerous phrases and words that were unique to the poem. Suffice to say that I will take the learned expert’s word for this fact for the time being. It made me think about the power of words. (listen to the radio show/podcast here)